Mr. Peter: "A man like you should die gallantly."
Max: "That's the way I always die, fat man."
Get Smart Episode #65, Season Three #5.
Plot[]
When CONTROL suffers another budget cutback and all agents are put on part-time, Maxwell Smart sets himself up as a private eye with 99 as his secretary.
Synopsis[]
Characters[]
CONTROL[]
- Maxwell Smart - Don Adams
- Agent 99 - Barbara Feldon
- The Chief - Edward Platt
- Agent 34 - Ralph Leabow
- Larrabee - Robert Karvelas
- Agent 72 (Sam) (Uncredited)
KAOS[]
- Mr. Peter (Fat Man) - Berry Kroeger
- Mr. Sydney (Little Man) -Phil Roth
- Wilbur - Buddy Hackett (uncredited)
Others[]
- Trinka Markoff - Roxane Berard
- Mrs. Weatherly (Girl) - Lynn Borden
- Reporter - Don Ross
- Man in Cab - Gordon Jump
- Lubella Markoff (mentioned)
Weapons and Gadgets[]
Locations[]
- Alledon Arms Hotel
- Boravia (mentioned)
Trivia[]
- Director Bruce Bilson won the 1968 Emmy Award for Outstanding Directorial Achievement in Comedy for this episode.
- The actual title of the episode still remains a mystery. While the episode is called "Maxwell Smart, Private Eye" on the DVD releases, in the introduction to the episode, Barbara Feldon, who was involved in the production of the DVDs, considers the title to be "Maxwell Smart, Private Spy".
Reality Check[]
- Hiding behind the generic title this episode is a parody of hard-boiled detective movies, especially 1941's The Maltese Falcon, giving Don Adams his second of three opportunities to show off his Humphrey Bogart impression (the others being Episode #36: "Casablanca" and Episode #117 "The Treasure of C. Errol Madre").
- The "Big Man" and "Little Man" villains are caricatures of frequent Bogart co-stars Sydney Greenstreet and Peter Lorre with the twist that their names have been reversed (a similar pair appear in the earlier Casablanca-themed episode) while "Wilbur" refers to Maltese Falcon character "Wilmer Cook" and "Mrs. Weatherly" to "Miss Wonderly", the femme fatale of the movie.
- 99's line, "If you want me just whistle", is taken from Lauren Bacall's dialogue in To Have and Have Not.
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